Red Garment I | CHEN WENCAI

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Red Garment I is a contemporary Chinese lacquer sculpture by Chen Wencai, conceived as a sculptural form that evokes the presence of a garment through volume, weight and surface.

Created using traditional Chinese lacquer (natural lacquer) techniques, the piece is built through successive layers of lacquer applied and polished over time. The glossy red surface amplifies the material’s depth and intensity, transforming the rigid structure into an object that appears fluid and draped.

The sculpture references the language of clothing without depicting a body, allowing the form to suggest absence, memory and gesture. The folds and suspended edges create a sense of gravity and stillness, blurring the boundaries between sculpture, object and symbolic presence.

With its striking chromatic intensity and refined finish, Red Garment I stands as a powerful exploration of Chinese lacquer as a contemporary medium, positioned between tradition, material research and conceptual sculpture.

Artist: Chen Wencai
Dimensions: 86×81×16 cm
Materials: Paper pulp, Wood, Chinese lacquer
Year: 2018-2021
Unique piece
Signed and certified by the artist

Red Garment I is a contemporary Chinese lacquer sculpture by Chen Wencai, conceived as a sculptural form that evokes the presence of a garment through volume, weight and surface.

Created using traditional Chinese lacquer (natural lacquer) techniques, the piece is built through successive layers of lacquer applied and polished over time. The glossy red surface amplifies the material’s depth and intensity, transforming the rigid structure into an object that appears fluid and draped.

The sculpture references the language of clothing without depicting a body, allowing the form to suggest absence, memory and gesture. The folds and suspended edges create a sense of gravity and stillness, blurring the boundaries between sculpture, object and symbolic presence.

With its striking chromatic intensity and refined finish, Red Garment I stands as a powerful exploration of Chinese lacquer as a contemporary medium, positioned between tradition, material research and conceptual sculpture.

Artist: Chen Wencai
Dimensions: 86×81×16 cm
Materials: Paper pulp, Wood, Chinese lacquer
Year: 2018-2021
Unique piece
Signed and certified by the artist

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About the artist

CHEN WENCAI

Chen Wencai (born 1988, Guangdong Province) is a sculptor whose practice is rooted in the intersection between material, thought and perception. He trained in Sculpture at the Guangzhou Academy of Fine Arts, where he developed a strong technical and conceptual foundation. He currently lives and works in Guangzhou, from where he carries out an ongoing investigation into the relationship between the individual, nature and the dynamics of social groups.

His work unfolds through a slow and deliberate sculptural process in which material plays a central role. Drawing from traditional knowledge while engaging with contemporary concerns, Chen approaches sculpture as a space for reflection rather than representation. His practice is driven by an interest in how matter can embody time, memory and tension, allowing form to emerge through restraint, repetition and careful control of gesture.

A defining element of his work is the use of the ancestral technique of Chinese lacquer, combined with materials such as wood, fabric, plaster and horn. This demanding medium—marked by discipline, layering and duration—is reinterpreted through a contemporary sculptural language. In his pieces, the surface acquires depth and silence, becoming a site where form, context and concept converge through a subtle narrative and a poetics informed by literary thought.

Today, Chen Wencai’s work can be understood as an act of reflection and quiet resistance. Through contained and precise sculptural forms, he explores themes of freedom, isolation and individual independence. His sculptures invite contemplation, offering a restrained yet powerful presence in which material, process and meaning are inseparable.

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