About the artist
CHEN WENCAI
Chen Wencai (born 1988, Guangdong Province) is a sculptor whose practice is rooted in the intersection between material, thought and perception. He trained in Sculpture at the Guangzhou Academy of Fine Arts, where he developed a strong technical and conceptual foundation. He currently lives and works in Guangzhou, from where he carries out an ongoing investigation into the relationship between the individual, nature and the dynamics of social groups.
His work unfolds through a slow and deliberate sculptural process in which material plays a central role. Drawing from traditional knowledge while engaging with contemporary concerns, Chen approaches sculpture as a space for reflection rather than representation. His practice is driven by an interest in how matter can embody time, memory and tension, allowing form to emerge through restraint, repetition and careful control of gesture.
A defining element of his work is the use of the ancestral technique of Chinese lacquer, combined with materials such as wood, fabric, plaster and horn. This demanding medium—marked by discipline, layering and duration—is reinterpreted through a contemporary sculptural language. In his pieces, the surface acquires depth and silence, becoming a site where form, context and concept converge through a subtle narrative and a poetics informed by literary thought.
Today, Chen Wencai’s work can be understood as an act of reflection and quiet resistance. Through contained and precise sculptural forms, he explores themes of freedom, isolation and individual independence. His sculptures invite contemplation, offering a restrained yet powerful presence in which material, process and meaning are inseparable.
CHINESE LACQUER
Chinese lacquer is a medium shaped by time, patience and restraint. In contemporary works, it becomes a quiet language where each layer holds memory and intention. These pieces are not produced, but formed—slowly—carrying a cultural depth and a subtle energy that reveals itself through attention.
Chinese lacquer is an ancestral technique obtained from the natural sap of the Toxicodendron vernicifluum tree, an organic material applied in successive layers that requires time, precision and specific humidity and temperature conditions to dry properly. Its process is slow and demanding: each layer is polished and re-applied, creating a continuous dialogue between material, gesture and waiting.