Landscape Series VIII | CHEN WENCAI

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Landscape Series VIII (2021) by Chen Wencai is a sculptural wall piece that merges human silhouette and abstract landscape into a single vertical presence.

Crafted from saw blade, wood, linen canvas and finished with cashew lacquer, the work explores the tension between industrial material and organic form. The blackened surface absorbs light, while the red gestures — almost visceral — introduce rhythm, emotion and symbolic depth.

The human contour functions both as figure and territory. It divides the surface without separating it, suggesting an inner geography shaped by memory, erosion and transformation.

With its strong verticality and material contrast, the piece operates between painting and sculpture, embodying Chen Wencai’s research into lacquer as a contemporary expressive medium.

Artist: Chen Wencai
Dimensions: 180 × 130 × 8 cm
Materials: Saw blade, wood, linen canvas, cashew lacquer
Year: 2021
Unique piece
Signed and certified by the artist

Landscape Series VIII (2021) by Chen Wencai is a sculptural wall piece that merges human silhouette and abstract landscape into a single vertical presence.

Crafted from saw blade, wood, linen canvas and finished with cashew lacquer, the work explores the tension between industrial material and organic form. The blackened surface absorbs light, while the red gestures — almost visceral — introduce rhythm, emotion and symbolic depth.

The human contour functions both as figure and territory. It divides the surface without separating it, suggesting an inner geography shaped by memory, erosion and transformation.

With its strong verticality and material contrast, the piece operates between painting and sculpture, embodying Chen Wencai’s research into lacquer as a contemporary expressive medium.

Artist: Chen Wencai
Dimensions: 180 × 130 × 8 cm
Materials: Saw blade, wood, linen canvas, cashew lacquer
Year: 2021
Unique piece
Signed and certified by the artist

About the artist

CHEN WENCAI

Chen Wencai (born 1988, Guangdong Province) is a sculptor whose practice is rooted in the intersection between material, thought and perception. He trained in Sculpture at the Guangzhou Academy of Fine Arts, where he developed a strong technical and conceptual foundation. He currently lives and works in Guangzhou, from where he carries out an ongoing investigation into the relationship between the individual, nature and the dynamics of social groups.

His work unfolds through a slow and deliberate sculptural process in which material plays a central role. Drawing from traditional knowledge while engaging with contemporary concerns, Chen approaches sculpture as a space for reflection rather than representation. His practice is driven by an interest in how matter can embody time, memory and tension, allowing form to emerge through restraint, repetition and careful control of gesture.

A defining element of his work is the use of the ancestral technique of Chinese lacquer, combined with materials such as wood, fabric, plaster and horn. This demanding medium—marked by discipline, layering and duration—is reinterpreted through a contemporary sculptural language. In his pieces, the surface acquires depth and silence, becoming a site where form, context and concept converge through a subtle narrative and a poetics informed by literary thought.

Today, Chen Wencai’s work can be understood as an act of reflection and quiet resistance. Through contained and precise sculptural forms, he explores themes of freedom, isolation and individual independence. His sculptures invite contemplation, offering a restrained yet powerful presence in which material, process and meaning are inseparable.

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