Emptiness | CHEN WENCAI

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Emptiness is a contemporary floor sculpture by Chen Wencai, created from the base of a natural tree trunk and transformed through a dialogue between raw matter and refined surface.

The work combines traditional Chinese lacquer (natural lacquer) techniques with gold leaf, merging organic material with a highly controlled, artisanal process. The lacquered surfaces are built through successive layers, polished over time to achieve depth, density and a mirror-like presence, while the exposed wood retains its natural irregularity and inner void.

This contrast between the glossy black lacquer, the warmth of gold leaf and the rough texture of the trunk’s core emphasizes the tension between fullness and absence, permanence and impermanence. The hollowed center becomes a focal point, evoking notions of emptiness, erosion and inner space.

Positioned on the floor, Emptiness functions as a sculptural object that blurs the boundaries between contemporary art, material research and collectible design, reflecting Chen Wencai’s exploration of Chinese lacquer as a medium rooted in tradition yet open to conceptual experimentation.

Artist: Chen Wencai
Dimensions: 106×106×86 cm
Materials: Wood, bronze, Chinese lacquer, gold leaf
Year: 2018
Unique piece
Signed and certified by the artist

Emptiness is a contemporary floor sculpture by Chen Wencai, created from the base of a natural tree trunk and transformed through a dialogue between raw matter and refined surface.

The work combines traditional Chinese lacquer (natural lacquer) techniques with gold leaf, merging organic material with a highly controlled, artisanal process. The lacquered surfaces are built through successive layers, polished over time to achieve depth, density and a mirror-like presence, while the exposed wood retains its natural irregularity and inner void.

This contrast between the glossy black lacquer, the warmth of gold leaf and the rough texture of the trunk’s core emphasizes the tension between fullness and absence, permanence and impermanence. The hollowed center becomes a focal point, evoking notions of emptiness, erosion and inner space.

Positioned on the floor, Emptiness functions as a sculptural object that blurs the boundaries between contemporary art, material research and collectible design, reflecting Chen Wencai’s exploration of Chinese lacquer as a medium rooted in tradition yet open to conceptual experimentation.

Artist: Chen Wencai
Dimensions: 106×106×86 cm
Materials: Wood, bronze, Chinese lacquer, gold leaf
Year: 2018
Unique piece
Signed and certified by the artist

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About the artist

CHEN WENCAI

Chen Wencai (born 1988, Guangdong Province) is a sculptor whose practice is rooted in the intersection between material, thought and perception. He trained in Sculpture at the Guangzhou Academy of Fine Arts, where he developed a strong technical and conceptual foundation. He currently lives and works in Guangzhou, from where he carries out an ongoing investigation into the relationship between the individual, nature and the dynamics of social groups.

His work unfolds through a slow and deliberate sculptural process in which material plays a central role. Drawing from traditional knowledge while engaging with contemporary concerns, Chen approaches sculpture as a space for reflection rather than representation. His practice is driven by an interest in how matter can embody time, memory and tension, allowing form to emerge through restraint, repetition and careful control of gesture.

A defining element of his work is the use of the ancestral technique of Chinese lacquer, combined with materials such as wood, fabric, plaster and horn. This demanding medium—marked by discipline, layering and duration—is reinterpreted through a contemporary sculptural language. In his pieces, the surface acquires depth and silence, becoming a site where form, context and concept converge through a subtle narrative and a poetics informed by literary thought.

Today, Chen Wencai’s work can be understood as an act of reflection and quiet resistance. Through contained and precise sculptural forms, he explores themes of freedom, isolation and individual independence. His sculptures invite contemplation, offering a restrained yet powerful presence in which material, process and meaning are inseparable.

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