Rolling Stone textile artwork by Zhang Yonghong, contemporary Asian art — EAST WEST SPACE
Unique contemporary textile piece with layered fabrics and embroidered lines
Modern textile abstraction artwork by Zhang Yonghong, collectible Asian art
Contemporary fiber art with expressive stitching and fabric layering
Rolling Stone textile artwork by Zhang Yonghong, contemporary Asian art — EAST WEST SPACE
Unique contemporary textile piece with layered fabrics and embroidered lines
Modern textile abstraction artwork by Zhang Yonghong, collectible Asian art
Contemporary fiber art with expressive stitching and fabric layering

Rolling stone | ZHANG YONGHONG

€0.00

Rolling Stone by Zhang Yonghong is a unique contemporary textile artwork that explores movement, fragmentation and the quiet tension between softness and structure. Hand-stitched using layered fabrics, loose threads and expressive embroidered lines, the composition centers around an abstract circular form that appears to shift, rotate and fold into itself.
The palette—dominated by muted whites, greys and deep blacks—creates a subtle contrast that highlights the delicate red stitching, a signature element in Zhang’s textile language. Each mark reveals the traces of handwork, intuition and emotional rhythm, making the piece both intimate and sculptural.
Perfect for collectors seeking singular textile works that merge craft, abstraction and contemporary Asian art, Rolling Stone stands as a testament to Zhang Yonghong’s mastery of texture, gesture and material storytelling.

Artist: Zhang Yonghong
Dimensions: 33 × 33 cm
Materials: Organdy, Cotton Fabric, Cotton Thread
Year: 2025
Unique piece
Signed and certified by the artist

Rolling Stone by Zhang Yonghong is a unique contemporary textile artwork that explores movement, fragmentation and the quiet tension between softness and structure. Hand-stitched using layered fabrics, loose threads and expressive embroidered lines, the composition centers around an abstract circular form that appears to shift, rotate and fold into itself.
The palette—dominated by muted whites, greys and deep blacks—creates a subtle contrast that highlights the delicate red stitching, a signature element in Zhang’s textile language. Each mark reveals the traces of handwork, intuition and emotional rhythm, making the piece both intimate and sculptural.
Perfect for collectors seeking singular textile works that merge craft, abstraction and contemporary Asian art, Rolling Stone stands as a testament to Zhang Yonghong’s mastery of texture, gesture and material storytelling.

Artist: Zhang Yonghong
Dimensions: 33 × 33 cm
Materials: Organdy, Cotton Fabric, Cotton Thread
Year: 2025
Unique piece
Signed and certified by the artist

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About the artist

ZHANG YONGHONG

ZHANG YONGHONG (b. Xinjiang, China) is a multidisciplinary artist whose work moves between textile art, ceramics, painting and mixed media installations. Her practice builds a bridge between the tangible and the intangible, exploring memory, material transformation and the spiritual dimensions of human existence.

Through the interplay of fabric, clay, paper and pigment, Zhang constructs poetic cartographies of the soul—gardens of light and shadow where fragility and resilience coexist. By embracing imperfection and the natural autonomy of materials, she transforms acts of sewing, folding and layering into metaphors of emotional archaeology. Her works often resemble living organisms—woven memories that breathe, heal and unfold in time.

Rooted in childhood memories from the vast landscapes of Xinjiang, Zhang’s artistic journey began with the rhythmic sound of her mother’s vintage sewing machine, which became a metronome of creation and time. Since 2008, her ongoing fabric archive project has evolved into a profound reflection on the relationship between body, memory and matter—where each stitch embodies both loss and rebirth.

Zhang’s artistic language combines philosophical depth and material experimentation, positioning her practice within the broader dialogue between contemporary art and spirituality. Her work invites viewers to contemplate transformation not as destruction, but as the serene act of dancing upon the flowing ruins of life itself.

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