Prontuario Imaginario 02 | JIMMY LENIS

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In this large-format work from Prontuario Imaginario 02, Jimmy Lenis amplifies his exploration of shadow, gesture and psychological space. The composition unfolds through sweeping black forms that descend and dissolve across a luminous background, creating a dramatic interplay between density and emptiness.

The scale intensifies the physicality of the brushwork. Dripping vertical traces and blurred contours suggest movement, erosion and memory in transformation. The surface appears both controlled and instinctive — an oscillation between structure and spontaneity that defines Lenis’ abstract language.

Rather than depicting a scene, the work evokes an atmosphere. The dark masses seem suspended, almost corporeal, while the pale ground offers breathing space. This tension generates a quiet yet immersive presence, allowing the painting to command architectural environments with subtle authority.

As part of Prontuario Imaginario, this piece functions as an emotional archive — an imagined record of internal landscapes translated into material form. Monumental in scale yet contemplative in tone, it stands as a refined statement within contemporary abstract practice.

Artist: Jimmy Lenis
Dimensions: 140 × 160 cm
Materials: Acrylic on canvas
Year: 2023
Signed and certified by the artist

In this large-format work from Prontuario Imaginario 02, Jimmy Lenis amplifies his exploration of shadow, gesture and psychological space. The composition unfolds through sweeping black forms that descend and dissolve across a luminous background, creating a dramatic interplay between density and emptiness.

The scale intensifies the physicality of the brushwork. Dripping vertical traces and blurred contours suggest movement, erosion and memory in transformation. The surface appears both controlled and instinctive — an oscillation between structure and spontaneity that defines Lenis’ abstract language.

Rather than depicting a scene, the work evokes an atmosphere. The dark masses seem suspended, almost corporeal, while the pale ground offers breathing space. This tension generates a quiet yet immersive presence, allowing the painting to command architectural environments with subtle authority.

As part of Prontuario Imaginario, this piece functions as an emotional archive — an imagined record of internal landscapes translated into material form. Monumental in scale yet contemplative in tone, it stands as a refined statement within contemporary abstract practice.

Artist: Jimmy Lenis
Dimensions: 140 × 160 cm
Materials: Acrylic on canvas
Year: 2023
Signed and certified by the artist



About the artist

JIMMY LENIS

Jimmy Lenis (b. Santiago de Cali, 1958) is a Colombian contemporary painter whose practice unfolds through a socially critical aesthetic grounded in philosophical reflection. His work confronts themes of marginality, poverty, famine, apartheid and skeletal portraiture—subjects that have shaped his sensibility since childhood and continue to inform his visual language with urgency and conviction.

Rooted in figuration yet traversing diverse aesthetic movements throughout his career, Lenis has absorbed influences ranging from Impressionism to expressionist tendencies, integrating them into a personal grammar marked by tension and intensity. His compositions oscillate between structure and rupture, where gesture becomes both denunciation and meditation.

The presence of Thanatos—death as existential force—remains latent across his oeuvre, coexisting with the Apollonian and the Dionysian. Order, rationality and measured restraint confront their antithesis: excess, desire and the overflow of pleasure. This dialectical interplay generates a charged visual field in which discipline and instinct continuously collide.

Through stark imagery and symbolic fragmentation, Lenis transforms the canvas into a site of confrontation. His paintings do not merely represent social realities; they expose their psychological weight. Emerging from a Colombian context marked by historical and social complexity, his practice positions art as an act of witness—an aesthetic response to injustice that seeks not resolution, but awareness.

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