Petal 34 by Bian Jing contemporary acrylic painting with white petal forms on earthy background
Bian Jing Petal 34 2025 square abstract artwork in warm terracotta tones
Contemporary organic abstraction Petal 34 by Bian Jing 80 x 80 cm
White radial petal composition on textured brown background Petal 34
Acrylic on canvas contemporary painting Petal 34 by Bian Jing
Petal 34 by Bian Jing contemporary acrylic painting with white petal forms on earthy background
Bian Jing Petal 34 2025 square abstract artwork in warm terracotta tones
Contemporary organic abstraction Petal 34 by Bian Jing 80 x 80 cm
White radial petal composition on textured brown background Petal 34
Acrylic on canvas contemporary painting Petal 34 by Bian Jing

Petal 34 | BIAN JING

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Petal 34 (2025) by Bian Jing introduces a softer chromatic atmosphere within the Petal series.

Executed in acrylic on canvas, the composition unfolds through luminous white petal-like forms that radiate from the center, gently expanding across a warm, earthy background. Unlike the intense red or stark black contrasts seen in other works, here the palette shifts toward muted terracotta and mineral tones, creating a sense of calm and grounded presence.

The surface reveals subtle variations in texture and transparency. The background appears layered and washed, almost sedimented, while the white forms feel airy and light — as if floating above the canvas. The edges of the petals remain slightly diffused, reinforcing the organic and transient quality of the composition.

At 80 x 80 cm, the square format allows the radial structure to fully breathe. The painting carries a balanced energy: expansive yet contained, expressive yet meditative.

Artist: Bian Jing
Dimensions: 80×80×5 cm
Materials: Acrylic on canvas
Year: 2025
Signed and certified by the artist

Petal 34 (2025) by Bian Jing introduces a softer chromatic atmosphere within the Petal series.

Executed in acrylic on canvas, the composition unfolds through luminous white petal-like forms that radiate from the center, gently expanding across a warm, earthy background. Unlike the intense red or stark black contrasts seen in other works, here the palette shifts toward muted terracotta and mineral tones, creating a sense of calm and grounded presence.

The surface reveals subtle variations in texture and transparency. The background appears layered and washed, almost sedimented, while the white forms feel airy and light — as if floating above the canvas. The edges of the petals remain slightly diffused, reinforcing the organic and transient quality of the composition.

At 80 x 80 cm, the square format allows the radial structure to fully breathe. The painting carries a balanced energy: expansive yet contained, expressive yet meditative.

Artist: Bian Jing
Dimensions: 80×80×5 cm
Materials: Acrylic on canvas
Year: 2025
Signed and certified by the artist

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About the artist

BIAN JING

Bian Jing (b. Tianjin, China) is a contemporary artist whose practice is rooted in painting and extends into sculpture and spatial installation. Working primarily with oil on canvas, her work explores inner states of emotion, memory and transformation, translating personal experience into a powerful and intuitive visual language.

Through expansive gestures, layered pigments and bold chromatic contrasts, Bian Jing allows painting to become an act of release. Her compositions emerge through movement rather than premeditation, transforming color, texture and rhythm into carriers of psychological intensity. Abstraction, in her work, is not a formal choice but a necessity—an immediate response to the complexity of lived experience.

Flowers appear recurrently in her paintings as symbolic forms rather than representational motifs. Reduced to expressive signs, they embody tension, resilience and emotional awakening. Deep blacks evoke restraint and silence, while vivid reds express vitality, desire and the impulse to break through limitation, creating a charged dialogue between control and freedom.

Bridging Eastern sensibility and Western expressive traditions, Bian Jing’s work positions painting as a space of emotional clarity and inner liberation. Her practice invites viewers to encounter transformation not as a resolved state, but as an ongoing, visceral process—one that unfolds through gesture, color and instinct.

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