Petal 27 by Bian Jing contemporary acrylic painting with black petal forms on orange background
Bian Jing Petal 27 2025 vertical abstract artwork in vibrant orange tones
Contemporary organic abstraction Petal 27 by Bian Jing 40 x 50 cm
Black floral abstract silhouette on orange canvas Petal 27
Acrylic on canvas contemporary painting Petal 27 by Bian Jing
Petal 27 by Bian Jing contemporary acrylic painting with black petal forms on orange background
Bian Jing Petal 27 2025 vertical abstract artwork in vibrant orange tones
Contemporary organic abstraction Petal 27 by Bian Jing 40 x 50 cm
Black floral abstract silhouette on orange canvas Petal 27
Acrylic on canvas contemporary painting Petal 27 by Bian Jing

Petal 27 | BIAN JING

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Petal 27 (2025) by Bian Jing introduces a vibrant chromatic intensity within the Petal series.

Executed in acrylic on canvas, the composition is defined by bold black petal-like forms that unfold across a saturated orange background. The warm, luminous surface radiates energy, while the dark organic silhouettes anchor the work with weight and structure.

Unlike the more radial or centrally contained works in the series, Petal 27 adopts a slightly vertical and botanical orientation. The forms feel elongated and connected, almost as if growing or branching upward. The gestural outlines remain visible, revealing the immediacy of the artist’s hand and reinforcing the tension between control and spontaneity.

The orange field is layered and dynamic, with subtle tonal variations that create depth without overpowering the central forms. The contrast between the glowing background and the matte density of the black shapes intensifies the painting’s visual presence.

At 40 x 50 cm, this work has an intimate yet striking character. Its vertical format makes it particularly suitable for contemporary interiors that seek a strong chromatic accent combined with conceptual refinement.

Artist: Bian Jing
Dimensions: 40×50×3,5 cm
Materials: Acrylic on canvas
Year: 2025
Signed and certified by the artist

Petal 27 (2025) by Bian Jing introduces a vibrant chromatic intensity within the Petal series.

Executed in acrylic on canvas, the composition is defined by bold black petal-like forms that unfold across a saturated orange background. The warm, luminous surface radiates energy, while the dark organic silhouettes anchor the work with weight and structure.

Unlike the more radial or centrally contained works in the series, Petal 27 adopts a slightly vertical and botanical orientation. The forms feel elongated and connected, almost as if growing or branching upward. The gestural outlines remain visible, revealing the immediacy of the artist’s hand and reinforcing the tension between control and spontaneity.

The orange field is layered and dynamic, with subtle tonal variations that create depth without overpowering the central forms. The contrast between the glowing background and the matte density of the black shapes intensifies the painting’s visual presence.

At 40 x 50 cm, this work has an intimate yet striking character. Its vertical format makes it particularly suitable for contemporary interiors that seek a strong chromatic accent combined with conceptual refinement.

Artist: Bian Jing
Dimensions: 40×50×3,5 cm
Materials: Acrylic on canvas
Year: 2025
Signed and certified by the artist

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About the artist

BIAN JING

Bian Jing (b. Tianjin, China) is a contemporary artist whose practice is rooted in painting and extends into sculpture and spatial installation. Working primarily with oil on canvas, her work explores inner states of emotion, memory and transformation, translating personal experience into a powerful and intuitive visual language.

Through expansive gestures, layered pigments and bold chromatic contrasts, Bian Jing allows painting to become an act of release. Her compositions emerge through movement rather than premeditation, transforming color, texture and rhythm into carriers of psychological intensity. Abstraction, in her work, is not a formal choice but a necessity—an immediate response to the complexity of lived experience.

Flowers appear recurrently in her paintings as symbolic forms rather than representational motifs. Reduced to expressive signs, they embody tension, resilience and emotional awakening. Deep blacks evoke restraint and silence, while vivid reds express vitality, desire and the impulse to break through limitation, creating a charged dialogue between control and freedom.

Bridging Eastern sensibility and Western expressive traditions, Bian Jing’s work positions painting as a space of emotional clarity and inner liberation. Her practice invites viewers to encounter transformation not as a resolved state, but as an ongoing, visceral process—one that unfolds through gesture, color and instinct.

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