Fragment 10 | SING CHAN

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Fragment #10 by Sing Chan is a suspended sculptural lamp that embodies the tension between structure, movement, and light. Its angular, branching form unfolds mid-air like an illuminated gesture, creating a dynamic interplay of direction and balance.
Crafted with meticulous attention to material precision, the piece emits a warm internal glow that softens its sharp geometry. The result is a lighting sculpture that feels simultaneously architectural and weightless, redefining the atmosphere of the space it inhabits.
Fragment #10 stands as a unique collectible design object—minimal, expressive, and spatially commanding—offering a refined dialogue between illumination, structure, and contemporary interior design.

Artist: Sing Chan
Dimensions: L1735 x W1210 x H375
Materials: Stainless steel, texture glass
Year: 2024
Signed and certified by the artist

Fragment #10 by Sing Chan is a suspended sculptural lamp that embodies the tension between structure, movement, and light. Its angular, branching form unfolds mid-air like an illuminated gesture, creating a dynamic interplay of direction and balance.
Crafted with meticulous attention to material precision, the piece emits a warm internal glow that softens its sharp geometry. The result is a lighting sculpture that feels simultaneously architectural and weightless, redefining the atmosphere of the space it inhabits.
Fragment #10 stands as a unique collectible design object—minimal, expressive, and spatially commanding—offering a refined dialogue between illumination, structure, and contemporary interior design.

Artist: Sing Chan
Dimensions: L1735 x W1210 x H375
Materials: Stainless steel, texture glass
Year: 2024
Signed and certified by the artist

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About the artist

SING CHAN

Chen Xingyu, designer and founder of SING CHAN DESIGN, was born in Panyu, a once-thriving port now faded by urbanization. His childhood unfolded among hills, rivers, and old workshops of craftsmanship and maintenance—an environment that ignited his fascination with architecture, light, and materiality.

From his studio in Guangzhou, Xingyu explores the relationship between history and contemporary design, questioning the loss of cultural identity amid modernization. His work extends beyond mere functionality; each piece serves as a bridge between civilizations and eras, a response to the evolving spaces we inhabit.

Believing that light is a vessel of memory and form, his approach blends research, material experimentation, and structural precision. His creations—whether lighting, furniture, or sculptural pieces—do not seek to preserve history in a static way but to propel it forward, fostering a continuous dialogue between traditional craftsmanship and avant-garde design.

Sing Chan's works stand as luminous testaments to a philosophy that transcends time. Objects that not only illuminate but also narrate stories, connecting the past, present, and future through design.


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