Robert Pous has dedicated part of his artistic activity to the search for a synthesis between the most geometrically pure morphologies derived from mathematical algorithms and the generative morphology of the human figure. This search is framed within three areas of work that he calls morphological series: of human, of space, and of time. These three lines allow him to apply his formal theories in both the field of the human figure and in geometric structures or shapes generated by chaotic-temporal elements, as well as in a more experimental line of work, in the format of video projection. In this medium, he employs techniques of indirect creation of form, setting up technical processes so that, once the basic mechanisms are established, the artwork self-realizes.

Robert Pous seeks to delve into the study of symbolic morphologies. His constants are linear structures that follow recursive trajectories in search of an unsettling reality. As these lines traverse the surface of the canvas, they form a background akin to a Lemian ocean that, despite being the least present element in the work, ultimately takes center stage.